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Killing Joke
Alex Paterson
Shepherd's Bush Empire, London
Thursday February 24 2005
~review and photos by Uncle
Nemesis
OK, all you punk rock mathematicians, riddle
me this. Killing Joke released their first single, the very fine ‘Nervous
System/Turn To Red’ in 1979. I know this because a copy of that classic
waxing sits
on my record shelf to this very day. If we assume from this that ‘79 represents
Killing Joke’s year zero - the point at which it all began - why, then,
is this gig billed as the band’s 25th anniversary show? From 1979 to 2005
is 27 years, so if Killing Joke really are celebrating their silver jubilee,
they’re a couple of years too late. Nevertheless, the band’s two nights
(of which this is the first) at the Shepherd’s Bush Empire are being filmed
for an anniversary DVD, and the old-skool fans have turned out in force.
It’s a slight surprise to see the venue packed with grizzled veterans of
the post-punk wars - for Killing Joke released a new album in 2003, and
for a while looked set to re-invent themselves as a contemporary, if more
than usually stroppy, rock act. But if they did win any current-scene kudos
during this episode, it seems to have evaporated. The vast majority of
tonight’s crowd look like they’ve been in on the Joke for years. That’s
not a bad thing, of course: indeed, it’s the presence of this loyal fanbase
that has stuck with the band since the early days that has enabled Killing
Joke to continue for 25 (or 27) years. But I can’t help wishing the gig
looked a little less like a retro event, and a bit more like the current
music scene.
Alex Paterson, the main man from The Orb,
and a Killing Joke roadie before he sold his soul for
ambient space-techno, fills the support slot with a DJ set. Perhaps aware
of the crowd he’s playing to, he steers clear of ambient space-techno in
favour of vintage punk (Clash, pre-pop star Adam And The Ants), post-punk
obscurities (Jah Wobble), and plenty of warm, loping, dub reggae. This
in itself is a bit of a throwback, for reggae was almost always the between-bands
music in ye old punk days and after. The assembled old-skoolers seem happy
enough with his selections, but it’s Killing Joke everyone really wants
- and, at length, it’s Killing Joke that we get.
The band strolls on stage - no fuss or
intro tapes. Suddenly, they’re just there. Who’s in the line-up this time?
We get a random drummer, and the usual hired-hand keyboard player discreetly
tucked into the side of the stage. There’s latter-day bassist Paul Raven,
sporting his lunkhead rocker look in a beanie hat, and the two originals
- Geordie, as ever lean and reserved, toting his old semi-acoustic
guitar, and, up front, bug-eyed, face-painted, and brandishing the microphone
like a shamanistic totem, Jaz Coleman himself - vocalist, ranter, and all-purpose
prophet of the apocalypse. The rhythm cranks up, a big, rumbling monster
of a noise, the bass thudding like doom, the drums forcing everything forward.
Geordie’s guitar breaks over the top like surf, while Jazz saucers his
eyes and lets rip. It’s the classic Killing Joke sound, and - it’s quickly
apparent - we’re in for a set which pulls all sorts of obscure tunes out
of the band’s repertoire. ‘Bloodsport’ allows Jazz to deliver a brief polemic
on the subject at hand (bloodsports are a bad thing, essentially) before
the tune - it’s an instrumental, with interludes of shouting - kicks in.
‘Primitive’ is a thing of glory, all stark, minimal drums, the guitar ebbing
and flowing like tides. ‘Psyche’ is a frantic rush, and - a rare nod to
the newer songs, this - ‘Asteroid’ is a crazed moment of anthemic singalong
glory. The mosh kicks off like it’s 1982 and we’re all laying waste to
the Lyceum, stage-divers passing overhead like DM-booted shooting stars.
As always when I’ve caught any of the post-Youth
Killing Joke line-ups, I find myself missing the nimble, agile basslines
of Joke’s original four-string man. Raven can always be relied upon to
give it loads in the bottom end, but when all’s said and done he’s a rock
player. You’d never call his playing funky. And that was always Killing
Joke’s unique schtick: their gritty, funky, tautly rhythmic take on post-punk
rock. The band we see before us tonight is definitely Killing Joke wearing
their more mainstream rock band identity, and while I’m enjoying this set,
I allow myself a twinge
of regret that it’s not the classic early line-up on stage. But then
it’s encore time. By now Jaz is in an oddly relaxed mood. He drops his
seething shaman persona sufficiently to chat in amiable tones to the crowd,
introducing the drummer - ‘Ben, and he’s only twenty-two!’ - and asking
if anyone has any requests. The other Jokers stand around casually, letting
Jaz rabbit away. I get the impression that the band are using this first
gig of their two-nighter as a warm-up for the main video shoot tomorrow
- when, I suspect, they will be sternly in effect throughout, the set will
be far more ‘greatest hits’, and Jaz’s matey chats with the audience will
definitely not be forthcoming. They pull ‘The Pandys Are Coming’ out of
the bag (‘We haven’t played this one for about nineteen years!’ chortles
Jaz) and hurtle through a storming ‘Are You Receiving?’, one of those classic
Killing Joke anthems of doom which, in these times of disintegrating civil
liberties, are starting to sound uncannily like prophecies come true. We
even have detention without trial in the UK now, just like the song says.
Maybe dear old Jaz wasn’t so paranoid as he always seemed, back in those
early days.
Almost unexpectedly - there’s no sense
that the set is coming to any kind of climax - it’s the end of the show.
The band take a bow, another curiously untypical piece of showboating,
and they’re gone. That was...well, quite an odd performance, in a way.
Odd to see Killing Joke so relaxed and informal; odd to see Jaz, normally
implacable, stern and taciturn throughout, in such a friendly, easy-going
mood. In a sense, it’s good to know that after 25 (or 27) years, Killing
Joke can still surprise me. But I never thought they’d catch me out simply
by being nice.
see all photos from this
concert review here
Killing Joke: http://www.killingjoke.com
The Orb: http://www.theorb.com
Shepherd's Bush Empire: http://www.shepherds-bush-empire.co.uk
Reviewed by Uncle Nemesis: http://www.nemesis.to
04/03/05 |